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Shemekia Copeland

Presented by Appell Center for the Performing Arts at Appell Center for the Performing Arts, York PA

May 18 2019
Shemekia Copeland

“Copeland is a powerhouse, a superstar…she can do no wrong.” –Rolling Stone

“America’s Child is a groundbreaking, genre-bending work of beauty. Shemekia is one of the great singers of our time. This record introduces listeners to another side of her, and I predict it will result in many new fans. Her voice on these songs is nothing short of magic.” –Mary Gauthier

“Shemekia Copeland is the real deal. America’s Child goes deep and Shemekia‘s voice—a national treasure—carries the songs effortlessly, whether topical, personal, spiritual, political or just plain raucous fun. Shemekia rears back her head and what comes out is humanity made vocal.” –Will Kimbrough

“Shemekia Copeland is one of the great blues voices of our time. No one comes close to the sheer firepower that Copeland conjures at will.” –Chicago Tribune

Shemekia Copeland never holds back. Her instantly recognizable voice—capable of being sultry, assertive and roaring—delivers every song with unparalleled honesty and passion. Her wide-open vision of contemporary Americana roots and soul music showcases the evolution of a passionate artist with an up-to-the-minute musical and lyrical approach. With her new Alligator Records album, America’s Child, Copeland confidently announces an electrifying new chapter in her constantly evolving story. Produced by Americana Instrumentalist Of The Year winner Will Kimbrough (who also plays guitar on the album) and recorded in Nashville, America’s Child is a courageous and fiery statement of purpose, a major step forward for the singer whose musical consciousness continues to expand as her star continues to rise.

America’s Child is by far Copeland’s most compelling work yet, with music swelling beyond blues and into spirited Americana, with elements of rock, soul, and country. From America’s Child’s anthemic opening track, Ain’t Got Time For Hate, to the closing lullaby, the traditional Go To Sleepy Little Baby, Shemekia sings with passion and insight about the chaos and uncertainty in the world while still finding joy all around her.

Upon the birth of her son Johnny Lee Copeland in 2017, Shemekia, with fresh eyes, began to take an even deeper look at the state of the world. Of the new album, she says, “After having a child, I started thinking about the world I brought him into, how it actually is and how I wished it was and all the things he will have to go through. And to live in this world today, you have to have a strong foundation like I did to make it through. So that’s what ‘America’s child’ means to me. I’m truly grateful to all the artists that joined me on this record—it wasn’t about the genre for anyone, it was about the music and mutual love and respect.”

When Shemekia broke on the scene at age 18 in 1998 with her groundbreaking Alligator Records debut CD Turn The Heat Up, she instantly became a blues and R&B force to be reckoned with. News outlets from The New York Times to CNN praised Copeland’s talent, larger-than-life personality, and true star power. With each subsequent release, Copeland’s music has continued to grow. From her debut through 2005’s The Soul Truth, Shemekia earned eight Blues Music Awards, a host of Living Blues Awards (including the prestigious 2010 Blues Artist Of The Year) and more accolades from fans, critics and fellow musicians. 2000’s Wicked received a Grammy nomination. Two highly successful releases on Telarc (including 2012’s Grammy-nominated 33 1/3) cemented her reputation as a singer who, according to NPR’s All Things Considered, “embodies the blues with her powerful vocal chops and fearless look at social issues.”

Copeland returned to Alligator Records in 2015 with the Grammy-nominated Outskirts Of Love. She won the 2017 Living Blues Readers’ Award for Blues Artist Of The Year (Female), the same distinction she won the year before. She also took home the 2016 Blues Music Award (BMA) for Contemporary Blues Female Artist Of The Year. Outskirts Of Love won the BMA for Best Blues Album Of The Year. MOJO said Copeland was “spectacular, stirring, sanctified and sassy.”

Now, with America’s Child, Shemekia Copeland is standing on the cusp of her greatest success. Her intensely empowering, American music is as insightful as it is fun. NPR Music says, “She brings a perfect balance of authority and understatement to each song.” No Depression adds, “When Shemekia Copeland opens her mouth, everybody pays attention. She pierces your soul. This is how you do it, and nobody does it better than Shemekia Copeland.”

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LOCATION

Appell Center for the Performing Arts

50 N George Street, York, PA 17401

PARKING INFO

Several convenient garage parking options and outdoor parking lots are available. Parking fees and hours of operation vary among the lots and garages below. For exact fees and hours, please contact the individual parking location directly. – CGA Parking Lot (George Street) – King Street Parking Garage – Market Street Parking Garage – Philadelphia Street Parking Garage – Central Market Parking Deck (Beaver Street) – St. John’s Parking Lot (Beaver Street)

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